Soundscape – New Final Version

This is my final soundscape. I made some changes to the eighth draft to better reflect my ideas. I tightened up a few of the timings and made some adjustments to some of the bird sounds so they are more clear. Then I decided to try adding some effects to the bird noises as well – I added some random delay pattens and some reverb to them. This combined with the EQ I had already applied created some interesting effects over the traffic noise.

The traffic noise gradually gets more and more distorted and the bird song becomes more and more effected also and then when the traffic noise is taken away, a strange sound emerges which is almost bird song but not as we would recognise it. I think this makes a statement about how the traffic noise is affecting our perception of other sounds.

I am more pleased with this version as I think it reflects my research better, and combines several differing approaches, including the more ‘truthful’ representation of a space, combined with the manipulation of sounds, not dissimilar to Lopez’s work. Throughout this process I have enjoyed trialling different ideas and creating new drafts of the soundscape.

Framework Listening Reflections (21st-27th October)

It seems like a while since I’ve posted, but I’ve actually been listening to a few podcasts and I wanted to publish my writings about them all together, so I’ve been writing this post for a while:

Framework #480

The first track is a study of different dialect and minority languages in Asia. It is interesting to hear and I love the idea that I can hear what’s happening in a country I have never been to and build a picture of it in my imagination. It is a very human-centric piece and as such it resonates, even though language is a barrier for me. After a while, you forget you’re listening to a person speaking and you just start listening to the sounds. I like the way the Hindu prayers (which are sung and instruments can be heard playing music) are slightly further back in the mix and the soundscape around it (mostly rain) is quite prominent, so you don’t lose sight (or hearing!) and just listen to it as music, but rather as sounds that are going on in a particular place.

Some of the recordings are so clear that you feel like you’re there and they have a wonderful crisp sound to them. I would like to have clear recordings in my soundscape (or as clear as my field recorder and skill set allow),

Framework #481

The track by Lopez stood out for me – again because his work is slightly more abstract. The birds mixing with other strange noises were really interesting, and at times they had an electronic sound to them. However, once again I feel that it is not the kind of soundscape work I would want to make. This does not detract from its value to be as a piece of work within the movement, but it’s not a route I see myself going down.

The first track on this podcast was interesting, it included audible human voices (speaking English) in what I imagined to be an office. It was a much more natural soundscape compared to Lopez’s contribution, but I didn’t really like it. I think it’s difficult to detach from human voices as they are such an important part of our experiences, particularly in terms of language. It would be a bit like trying to read this blog without seeing any of the words – language is so entrenched in our brains that it’s nearly impossible (probably impossible for me, at least) to switch off from it. Interestingly, a later piece had also had human voices in it, but it was clearly in a busy area and they were not so easy to pick out individual voices or words. I felt this worked better as the voices became a sound that wasn’t understandable in terms of language and therefore easier to detach myself from.

I liked the mix of different types of soundscape, there was more phonographic to purist to very abstract approaches and just about everything in between. One of the soundscapes had almost musical elements to them rather than just sounds, there were drones of high pitched noises interacting with the field recordings and it made it sound like a very unnerving ambient track!

Framework #483

The introduction was interesting, as the presenter pointed out. The intro was spoken by a group of children who are learning to sound out English phonetically, so have no idea what the words mean – they are therefore detached from the language and only listen to the sounds.

One of the first pieces is very unusual. There is a lot of processing and not an immediate story, rather some sounds all feeding into each other. There is some repetition of voices and phrases at the beginning although they are unintelligible. Later on in the piece there are sounds that are repeated. I think it makes it quite obvious that it’s been created by the artist and it seems almost clumsy in its execution. It’s got some really interesting sounds in it, but for me it’s too abstract and doesn’t seem to have a purpose. I’m going to go ahead and say I don’t like it.

Towards the end of this podcast, there was a more purist soundscape and I really enjoyed it. It was very nature focussed and has few man-made noises. It sounded great and I really enjoyed getting into it and imagining the landscape it was depicting.

Listening Reflections (22nd October)

After listening to the playlist I created after the lecture, I feel a lot more knowledgeable about the different types of soundscape artist working today.

  • Francisco Lopez
    • Although I enjoyed listening to the soundscape “Untitled 164”, I don’t want to make a soundscape like this
    • I love the low frequency sounds and the way it changes subtly over time
    • The length is a bit off-putting: I was not able to listen appreciatively for that long
    • I like that although you have no idea what is being recorded, you are able to work out many of them yourself and are able to guess what the original recording may have been (although some of them are virtually impossible to work out)
  • Chris Watson
    • I listened to two Chris Watson albums and I really enjoyed it because it has a very ‘natural’ feel to it
    • I really like the recording quality and the detail he gets from his sounds
    • I am not particularly interested in bird song, and I think getting really detailed recordings of animals and birds might be a little out of my skill set and a bit over-ambitious!
  • David Rothenberg
    • It’s an interesting concept, but I don’t feel it gels well together
    • Some of the pieces are very relaxing and rather musical, which I do think is nice but they were quite forgettable
  • Star Switch On Album
    • A lot of this album has a very ambient feel to it and it’s got a nice blend of the two
    • Like Francisco Lopez, I enjoyed listening to it very much but I don’t think it’s a sound I wish to create
    • I would think that some of the tracks on this album are not necessarily a good example of what we’re supposed to be creating