Yesterday and this morning I have worked on producing a second draft of my soundscape:
The immediate difference is that it is significantly shorter. I felt that the length of the first draft was too long and basically, for much of it is ended up being sparse and not very interesting. I didn’t want to limit myself time-wise, but when I actually started listening to what I had put down in Logic, I realised that it was going to be much better to speed up the movement of the piece, and now there’s less time where not much is happening. Interestingly, I usually find the opposite when I’m composing music, so I think I’ve learned a valuable lesson in that I’m not going to worry so much about the length of a piece and just let my ideas develop – I can always come back to a piece and cut it back later if it’s too long, but it’s more difficult to come back to a piece weeks or months later and try to composer more material for it.
I have also made some sounds more prominent and added more processing such as compression and the Adaptive Limiter to help prevent clipping. I have also considered how to address the ‘sound body’. I have added EQ boosts at the low end on the car and train sounds and although it’s not terribly clear on my headphones, I hope once I listen to it through monitors, I’ll really be able to feel the rumbling bass sound.
As I mentioned in my first draft, a lot of the sounds are difficult to hear on the original recordings due to the level of the traffic noise. I know I rejected the idea of hi-fi and lo-fi soundscapes in an earlier post, but I’m starting to think maybe there’s some truth in it. Having actually gone back to Fareham and listened to just how loud and over-bearing the traffic noise is, particularly then when I got my recordings and listened back to them, I think it’s actually quite shocking just how loud the traffic noise is and how much it is drowning out. I’d love to stop the traffic and make recordings in the same place just to hear what the natural environment really sounds like!